Happy New Year, everyone. This website has been static for the past two months, and I do apologize for my negligence.
I’ve been busy writing about everything from terrorism to the godfather of heavy metal, Lemmy Kilmister, at Salon and the Daily Beast.
Like everyone else, I too have written about Donald Trump. I’ve written about religion, economics, and politics, but also about more pleasant topics such as the aforementioned work of Motorhead, the literature of Gore Vidal, and the novels of Jim Webb.
The Daily Beast ran an excerpt from my book on John Mellencamp, while my book on Metallica has received press and great reviews from Consequence of Sound, Record Collector, Illinois Entertainer, and the Chicago Music Examiner.
Make sure to follow this space throughout 2016 for more essays on politics, culture, literature, and music, and for a major update on my next book.
My new book, Mellencamp: American Troubadour, is now officially available from the University Press of Kentucky, and all book retailers.
Salon recently ran an excerpt, and it is already receiving high praise.
Part biography, part cultural and sociological commentary—with a touch of hagiography/fan nonfiction thrown in—Mellencamp is almost a new genre. Masciotra’s observations, contributions, and asides are apt and diverse. Both Mellencamp’s work and the man himself are deeper than they appear, and this book really shores this up. — Susan Compo, author of Warren Oates: A Wild Life
David Masciotra writes with the precision and integrity and humanity of a great journalist, one whose word you can trust. He knows his subject, and his prose and reporting are always informed by the lights of compassion and decency. — James Lee Burke, author of Wayfaring Stranger
For almost 40 years, John Mellencamp has been forging a path through the thickets of the music industry, meditating on the connections between rock, soul, folk and funk. In the process, he’s established himself as a major artist whose work is sometimes obscured by the shadows of Bob Dylan and Bruce Springsteen. In this detailed, loving book, David Masciotra shines the light of his critical intelligence on the connections between Mellencamp’s life, his music, and the commitment to a deeper understanding of our shared humanity. — Craig Werner, author of Up Around the Bend: An Oral History of Creedence Clearwater Revival
One of the most talented, moving, and inspirational singers in American music is the phenomenal Ruthie Foster. More than nearly any other contemporary American singer, she expresses, exercises, and exemplifies what Craig Werner calls the “gospel impulse.” In my new essay for Splice Today, I write about the importance of Ruthie Foster’s music, and the deficit American culture suffers for not giving her a bigger platform to share with the world her unique and powerful voice and vision. Read it here. Ruthie Foster’s new single, “Singing The Blues.”
I recently had the pleasure and honor of spending Jesse Jackson’s birthday with the civil rights leader and his staff.
Following him from event to event at Chicago’s poor public schools, and discussing a wide variety of issues, gave a perfect demonstration of the layers of discrimination and obstruction that exist in American culture.
Jackson said that “we must have the courage to reimagine our struggle.” The reimagining requires that we see the layers at the lowest level, but also the highest level in corporate America and the world of high tech.
Read it here.
Easily, my most read and controversial essay is criticism of how idolatry of the military prevents American culture and politics from acknowledging and addressing the important issues of sexual assault within the military and a war friendly foreign policy.
Calling every troop and veteran a “hero”, and ending the conversation there, is inaccurate – even though some are heroes – but also irresponsible. The conversation must continue to include questions about the culture within the military that allows for one third of all women serving to suffer sexual assault, and the politics of the American government that, in the words of Gore Vidal, a World War II veteran, keeps us at “perpetual war.”
Thousands of people who sent me hate mail and death threats, along with the commentators of Fox News, attacked me, without actually reading the article, for “hating the troops.” Such a slander is pure nonsense.
Read it and find out yourself.
My publisher, Bloomsbury, recently interviewed me about my upcoming 33 1/3 book on Metallica’s self-titled record, more commonly known as The Black Album.
Read it here.
In a new essay for the Daily Beast, I use the release of a new retrospective of Chomsky’s work as an opportunity to appraise his intellectual contributions and political activism. It is impossible to overstate the importance of Chomsky as a public intellectual, and his importance in my own development. The few criticisms I have of his analysis fall under the sizable shadow of his brilliance and bravery.
Read the essay here.
Recently, I wrote some critical essays for the Daily Beast. The first was on the comeback tour of Garth Brooks. I had the opportunity to interview Brooks for the essay. We discussed his music, his evolving role in country music, and music culture in America. Brooks was a boyhood idol of mine – my first musical love. While I still respect and admire him, I don’t have the same love for his music. That being said, I enjoyed his concert, and was thrilled to meet him. Read the essay here.
Shortly after interviewing Brooks, I had spoke with Sean Jablonski, the creator of the USA series, Satisfaction. Satisfaction, unlike much of American entertainment, intelligently and maturely deals with the complexities of adult sexuality. Jablonski and I had an interesting conversation about his show, sexuality, American culture, happiness, and his own Buddhist inspiration. Read the essay here.
I recently had the pleasure and privilege of enjoying a two hour conversation with a hero of mine, Jesse Jackson.
I told Jackson that the work he did, along with Martin Luther King, Rosa Parks, Medgar Evers, and others, not only freed black people in the United States from a brutal system of apartheid, oppression, and exploitation (work that continues), but also saved me – a white man born in 1985 – from inheriting the role of occupier, oppressor, and executioner. Albert Camus wrote that people must aspire to live as “neither victims or executioners.” The “Parks-King-Jackson” injection of freedom and justice into American democracy empowered all people to enjoy such aspiration.
In my new essay for the Daily Beast, however, I do not write about the civil rights movement, but the electoral extension of the civil rights movement – the Presidential Campaigns of Jesse Jackson in 1984 and ’88.
Important and liberating, Jackson’s campaigns deserve much more attention and celebration than the Democratic Party – often ungrateful – and the mainline media – often stupid and destructive – gives them.
In my new essay, I’m happy to, I hope, begin the reversal of such an ignorant trend.
The website Music Tomes – an interesting online journal dedicated to covering books on music – recently interviewed me on my forthcoming book, Mellencamp: American Troubadour (University Press of Kentucky).
Read the interview here.