In my new column at Salon, I examine the idea of patriotism, comparing the liberal interpretation of American history with the right wing invention of it, and conclude that those who most obnoxiously wave the flag and shout love of country, are largely ignorant of American history and identity.
Are white people responsible for anything? In my new essay at Salon, I break with American tradition by answering, “yes.”
Read my column on the idiocy of blaming liberal identity politics for the election of Donald Trump, and how it relates to perpetual denial of white responsibility of everything from rural poverty to heroin addiction, at Salon.
In a recent column at Salon, I explain why the phony media melodrama about free speech wars on college campuses does not represent reality at the average university. The story is largely an invention.
In my newest essay for Salon, I review feminist scholar Susan Bordo’s topical and timely book, The Destruction of Hillary Clinton.
I admire Hillary Clinton.
Clearly, I am in the minority. To express admiration for Hillary Clinton has become a radical act. While the accomplished public servant is not without flaw (her cynical support for the Iraq War is still infuriating), the level of hatred and hostility that exists for Clinton is clearly hysterical and paranoid; without any basis in the rational universe. She has become history’s greatest monster, even while a gruesome amalgam of stupidity, corruption, and bigotry occupies the Oval Office.
Bordo, as bewildered as I am by the odd animosity for Clinton, analyzes the 2016 election. With an emphasis on misogyny, Bordo presents a convincing case that right wing paranoia, double standards against women, and mass media mediocrity coalesced to poison the public against one of the most intelligent and qualified candidates for the presidency in the modern era.
The book has its weaknesses. Bordo never acknowledges that Clinton made massive missteps in her campaign, but more important, her argumentation is detached from the the actual lives of many voters, most of whom she admits do not pay close attention to politics.
The roots of misogyny are much deeper, and have a much more personal origin, than idiotic journalism or manipulative campaign tactics.
In my latest column for Salon, I examine how Republicans in government are incapable of governance. After having spent years mocking liberals as overly ideological, naive, and unable to make difficult decisions, conservatives have now drifted so far to the fringes of the right that they cannot implement or administer public policy.
The fiasco of health care reform is an illustrative example of Republican ineptitude.
In his masterful blend of biography and novel, Marilyn, Norman Mailer invented the word “factoid” to describe untrue ideas many people accept as real only because they have appeared in the mass media for many years. “It is possible,” Mailer wrote, “that Richard Nixon has spoken in nothing but factoids for his entire political career.”
Donald Trump, like no other president of American history (not even Nixon), is a factoid politician.
In my new column for Salon, I examine how the manipulation of Americans’ sympathy and “support for the troops” shuts down intelligent and important debates on US foreign policy, Pentagon spending, and scandals of sexual assault within the armed services.
Read it at Salon.
In my new column at Salon, I explore the terrifying possibility that Donald Trump is not an insincere conman, but that he is genuinely paranoid, stupid, and delusional. The power of propaganda, from the right wing, has steadily warped the minds of millions of Americans. It appears that Trump is one of them. Imagine your crazy uncle as the most powerful man in the universe.
Read the column at Salon.
In a recent column for Salon, I defended campus protestors and examined the complicated issue of speech and commerce at colleges throughout America.
Read it at Salon.
There are few writers worthy of such high distinction, but to read Rita Dove is to encounter the transformative. Her feeling comes in aid of your feeling. Suddenly, you believe you have undergone an alteration of mind and spirit. Dove’s poetry breathes life onto the page and into the reader.
The Pulitzer Prize committee shared this assessment, awarding her the prize for poetry in 1987 for her beautiful, biographical treatment of her grandparents through a series of interconnected poems, “Thomas and Beulah.” Dove also received the National Medal of Arts commendation from President Barack Obama, who complimented her singular ability to “blend beauty, lyricism, critique, and politics.”
In a national moment of suffocation, it is for our civic health that we turn to those voices that offer the relief of oxygen.
Earlier this week, I interviewed Rita Dove about the power of poetry and the necessity of the arts, especially in times of political trouble and terror.