In June, I interviewed Sarina Prabasi about her beautiful and profound memoir, Coffeehouse Resistance. An immigrant, activist, and executive at Water Aid, Prabasi offered invaluable insights on issues relating to Trump’s immigration policy, the follies of American exceptionalism, and the importance of activism.
More recently, I twice addressed the decay of democracy in the United States. In the first essay, I wrote about the provincialism of the American public renders most political debates absurd. For example, Democratic candidates for the presidency are made to answer questions about universal health care as if they advocating a wild proposal out of science fiction when, in reality, every other developed country has a universal health care program.
Next, I wrote about Trump’s racist and imbecilic statement against “the squad” in which he instructed them to go back to where they came from. Given that three of the four congresswomen are from the United States, and the fourth, has lived here since she was ten years old, Trump’s description of their native homes as “broken” has an ironic ring of truth to it. America, by most standards, looks like it is in a state of dysfunction and disrepair.
I recently had the pleasure of interviewing the respective leaders of two of America’s greatest bands.
First, I interviewed Jay Farrar, of Son Volt, about their protest record, Union. My essay relays Farrar’s insights, and takes a broader look at the importance of socially conscious songwriting.
A few weeks later, I spoke with Warren Haynes, the lead singer and guitarist of Gov’t Mule, a band I have previously called “the world’s best band.” Haynes and I discussed Mule’s upcoming concert film, and in the conversation, he provided fascinating thoughts on the spontaneous, but thoughtful magic of jam music. Read the essay.
My new essay at Salon combines political commentary with personal reflection. I look back on my flirtation with libertarian ideology, and draw insights that apply to the 2020 race, “cancel culture,” and political tribalism.
More personally reflective than most of my political essays, it is not only an indictment of the impracticality and insidiousness of libertarian movements, but also a call for more patience and understanding with political opponents, or even political allies who have previously believed or uttered positions that have aged poorly.
My two most recent political essay at Salon complement each other as an exhibition of alarming trends in American political culture.
The first focuses on the mainstream media’s characteristically meek response to Trump’s increasingly fascist and violent rhetoric. I make the president’s recent remarks about how he would like to “turn the military loose” on refugees seeking asylum at the US-Mexico border the illustrative example of the anti-social and criminal designs of the American right, and how American culture is failing to react with adequate vigilance.
My next essay deals with the ubiquity of The Punisher skull – a popular symbol from the Marvel comic book that conservative men have adopted to symbolize their support of police and US aggression overseas. The celebration of the icon of death and murder – something to which the comic book creators object – demonstrates a dark impulse at the heart of American culture.
No Depression recently featured my essay on Ruthie Foster, the importance of the blues in American life, and the urban decay of Park Forest, IL – the setting of a recent Foster performance, as a cover story.
In the essay, Park Forest is emblematic of countless American towns that have struggled with white flight, racial fracture, and economic decline. The magnificent and mighty Ruthie Foster becomes a songbird of hope for not only her Park Forest audience, but everyone within earshot of her beautiful music.
Read the essay at No Depression.
I recently wrote an essay about the dangers of America’s apathy toward white supremacy – an increasingly popular and violent movement that threatens to undermine the entire democratic project.
Similarly, I threw Chicago Mayor Rahm Emanual, and his apologists, against the wall for foaming at the mouth over Jussie Smollett, but showing absolute disregard for the innumerable injustices against black citizens in Chicago, and other cities – large and small – across America.
Read the essays at Salon.
I recently wrote about the triumphant career of Patti Smith for the Los Angeles Review of Books, and in doing so, considered why she never receives her due as a member of the rock and roll elite, alongside her male peers, like Dylan and Springsteen.
Read my essay, “Patti Smith and Male Bias in Music Criticism.”
In my newest essay for Salon, I warn against the dangers of Trump’s increasingly radical, violent, and anti-democratic supporters. The national nightmare does not end with Trump’s exit.
Read it at Salon.
The inaugural issue of the Pika Journal includes a short poem that I wrote, “Love Note to a Surgeon.”
Read it here.
I recently attended a spectacular performance from John Mellencamp and band in Peoria, IL. My review doubles as a reflection on how an alternative America is accessible through Mellencamp’s music.
Read it at the Daily Ripple.