A New Interview with Kirk Hammett

I recently interviewed Kirk Hammett, lead guitarist of Metallica. This is the fifth time we’ve talked, and he is always full of insight and joyful spirit. I first interviewed Hammett, along with all the other members of Metallica, while writing my 33 1/3 book on the Black Album. We had a fascinating and freewheeling conversation about the composition, recording, and seemingly endless life of the record – a conversation that also touched on Hammett’s acceptance of Buddhist philosophy, how the Civil Rights and anti-war movements influenced him at an early age, and his broader thoughts on music.

Since then, we’ve talked about Lemmy Kilmister, and the collaboration album with Lou Reed, Lulu. The release of the Black Album boxset, and the debut of the Black Album episode on the 33 1/3 Spotify podcast, presented the perfect opportunity to have another discussion.

On October 1st, I interviewed Kirk Hammett about the Black Album, his philosophy of creativity, and the often misunderstood identity of Metallica. 333 Sound, the website for the outstanding 33 1/3 book series, has published our discussion.

Read our wide ranging conversation about Metallica, the Black Album, creativity, intellectual curiosity, and Woodstock ’99.

Metallica's Kirk Hammett talks S&M2, drive-in concert, Lou Reed and more –  Marin Independent Journal
Metallica's Metallica (33 1/3): Masciotra, David: 9781628929300:  Amazon.com: Books

“Pushing Back Against Authority”: Son Volt, and the Power of Protest Music

The new Son Volt record, Electro Melodier, is the best collection of political songs in many years. I had the pleasure of exchanging emails with Jay Farrar, songwriter and singer for the band, in July. I’ve written an essay on Son Volt, and the importance of protest music, for the July 30th weekend edition of CounterPunch.

Electro Melodier by Son Volt Reviews and Tracks - Metacritic

The Dark History of The Indian Runner, Sean Penn’s Meditation on American Violence, By Way of Bruce Springsteen

I have a new essay at CrimeReads about Sean Penn’s screenwriting and directorial debut, “The Indian Runner” – a profound and deeply moving film that Penn based on the Bruce Springsteen song, “Highway Patrolman.”

“The Indian Runner” powerfully applies to America’s current crises, as it deftly and bravely explores the violence in American history and the American psyche. Read my essay to get the full story behind the movie, and my own interpretation.

https://upload.wikimedia.org/wikipedia/en/9/94/Bruce_Springsteen_-_Nebraska.jpg

Interview on “Pause for Justice” Radio Program

I was recently a guest on the “Pause for Justice” radio program, broadcasting out of the University of St. Francis in Joliet, IL. Gracious and thoughtful host, Allison Heard, and I had a great conversation about my book, “I Am Somebody: Why Jesse Jackson Matters,” as well as related issues of civil rights and social justice.

Ms. Heard also gave me the opportunity to select the songs that would play during the broadcast. Here were my choices:

  1. “Think” by Aretha Franklin
  2. “What’s Going On?” by Marvin Gaye
  3. “I Remember, I Believe” by Lizz Wright
  4. “Peaceful World” by John Mellencamp with India.Arie
  5. “People Have the Power” by Patti Smith

Review of “Standing in the Doorway: Chrissie Hynde Sings Bob Dylan”

Reigning queen of cool, Chrissie Hynde, recorded a magnificent new record using cell phone technology during the pandemic: Standing in the Doorway: Chrissie Hynde Sings Bob Dylan.

I was happy to review it for No Depression. Read my thoughts on Hynde’s singing and new arrangements, the mini-genre of Dylan tribute albums by women singers that has emerged in the past few years, Dylan’s songwriting, and the record itself.

New Story at No Depression: David Huckelt and Native-Folk Music

I had the pleasure of interviewing singer/songwriter, David Huckfelt, about his new record, a collaboration with various Native musicians and writers. The album beautifully captures the synthesis between American folk and indigenous tradition – creating a musical portrait that is not only enjoyable, but also timely and culturally resonant.

Read at No Depression.

David Huckfelt

John Mellencamp and The Search for an American Soul: An Interview with the Musical Icon

I was a 13 year old boy when I discovered the music of John Mellencamp. His songs were my usher into the world of writing, art, and creativity. A continual source of powerful inspiration in my work and life, I wrote my second book, Mellencamp: American Troubadour, about his music, and the ideas that surround it. The impact and influence of Mellencamp’s music on my life is so large that, without it, it is impossible to conceive of myself.

On Memorial Day, I had the incredible thrill and honor of driving to Nashville, Indiana to visit John Mellencamp in his recording studio. We sat for a long, fascinating, and fun conversation in the same room where he and his band have made so many of my favorite songs since 1983. Then, I watched he and the band rehearse for their upcoming tour, playing “Pink Houses” and “Paper in Fire.” To add to the pleasure and amazement of the experience, I also met the beautiful and soulful Carlene Carter, and had the opportunity to have a discussion with her.

Mellencamp’s first words to me were, “It is a good book.” That simple, but profound compliment is one I will always treasure (He was referring to my work of biography and cultural criticism, Mellencamp: American Troubadour).

Read the essay I wrote on the experience at Salon.

David Masciotra John Mellencamp

Here is an amusing exchange from our conversation that did not make my essay: After Mellencamp explained that audiences have jeered and heckled him several times throughout his career, he added that, “not once has anyone said anything derogatory to my face.”

“Really, why do you think that is?” I asked.

“Because they know they type of person that I am. Would you say anything?”

“Maybe.”

Mellencamp laughed. “Well, I’m an old man now. So, you could probably kick my ass. Fifteen years ago, you would have kept your mouth shut.”

An Exhibition of Excellence: The Music and Performance of Richie Kotzen

Richie Kotzen, an impossibly soulful singer, guitar virtuoso, and prolific songwriter, is one of the best and most underrated musicians in America.

I had the pleasure of interviewing Kotzen before attending a recent live performance he and his outstanding band gave in St. Charles, Illinois.

At No Depression, I write about his storied career, and relay his insightful thoughts on songwriting, live performance, and what separates his approach to leading his hard rock band, The Winery Dogs, and creating and playing as a solo artist across a variety of genres.

mss_richie-kotzen_209_0

The Rolling Stones and the Art and Aesthetic of Rock ‘n’ Roll

I had the pleasure of attending the new exhibit on the history of The Rolling Stones, Exhibitionism, in Chicago with my friend – singer, songwriter, guitarist extraordinaire, Kev Wright.

The immersive and interactive experience is essential for any admirer of the Stones, or fan of rock. I was particularly struck by the aesthetic sophistication of the Rolling Stones. From commissioning Andy Warhol to photograph and artistically depict the band to finding inspiration for stage sets in classical philosophy, the Rolling Stones, most especially Mick Jagger, helped cultivate a rock ‘n’ roll aesthetic, at once capturing and projecting the imager and iconography of rebellion, creativity, individuality, and sexuality.

Read my essay The Rolling Stones and the aesthetic of rock ‘n’ roll at Salon.

20th Century Art & Design Auction