In my latest column for Salon, I pay tribute to the late George Michael, who not only wrote, produced, and performed excellent music of irresistible groove and soul, but elevated and celebrated an ethos of mutual pleasure in sexuality. Michael’s treatment of sexuality as an opportunity for reciprocal, erotic enjoyment assaulted both the suffocating Puritanism of Western Culture, and the desire for domination from too many heterosexual men.
Read the essay at Salon.
Meanwhile, at No Depression, I provide my personal choices for top five records of 2016, featuring Metallica, Marcus King, Tedeschi Trucks, Blackberry Smoke, and Rival Sons.
There is a new sensation in contemporary music. He has arrived in the atmosphere like a full force gale with a sound and fury that is impossible to ignore. His name is Marcus King, and he has assembled a skillful and soulful group of musicians for The Marcus King Band. They move through styles without obedience to categorical regulation of genre; playing with the technical mastery and heartfelt avidity that makes great music great music. His kind has not emerged onto the airwaves for many years.
In the late 1960s and early ’70s, music went through an exciting and eclectic period of innovation and variety. The transgression of borders visible and palpable in political and social upheaval underwent artistic emulation in various genres of popular music. The barriers separating these genres began to break. Fusion was the result…
Read the entire essay at No Depression to find out about one of America’s most exciting new bands, The Marcus King Band, and how they fit into the rarefied ranks of Gov’t Mule and The Tedeschi Trucks Band.
Recently, for No Depression, I wrote a review of a newly released box set compiling Elvis Presley’s masterful final recordings in the famous Jungle Room of Graceland. Read the essay for my take on Elvis’ unique gifts, his late in life musical accomplishment, and his development of the genre, rhythm and country.
Shortly after reviewing Elvis, I reviewed a Bruce Springsteen and The E Street Band concert at the United Center in Chicago, and used the performance as an opportunity to reflect on the power and importance of hope. Read it at Salon.
Finally, I crown Gov’t Mule the “best band in the world,” after watching them perform a single set in Rosemont, Illinois. Read my explanation for how Mule surpasses everyone else in the genre, and elevates rock ‘n’ roll to art at No Depression.
One of the most talented, moving, and inspirational singers in American music is the phenomenal Ruthie Foster. More than nearly any other contemporary American singer, she expresses, exercises, and exemplifies what Craig Werner calls the “gospel impulse.” In my new essay for Splice Today, I write about the importance of Ruthie Foster’s music, and the deficit American culture suffers for not giving her a bigger platform to share with the world her unique and powerful voice and vision. Read it here. Ruthie Foster’s new single, “Singing The Blues.”