In “Last to Die,” his protest song against the war in Iraq, Bruce Springsteen sings, “We don’t measure the blood we’ve drawn anymore. We just stack the bodies outside the door.”
When the U.S. government and the world’s most lethal military force subject an entire country to torture and torment, the wounds fester long after bored Americans direct their attention elsewhere, and explosions and bloodshed, thousands of miles away and across the ocean, fail to attract news cameras.
The American people and their politicians might have moved on from Iraq, but the American presence of violence and devastation still hurts and haunts the lives of Iraqis. As a direct result of the U.S. invasion and occupation, Iraqi children now have high levels of lead contamination, and pregnant women and the elderly population suffer from expensive and painful health problems. There is an epidemic of birth defects and disabilities throughout the beleaguered country, but much of the world, and especially the U.S., continues to ignore the health crisis and moral catastrophe.
The casualty count, even if the war is over, continues to rise. Bombs and bullets damage the lives of millions of Iraqi civilians, subsequent to their detonation, and penetration of human skin. In America, the war in Iraq is too often reduced to a “mistake,” but for Iraq it is a merciless reaper that will continue to visit the homes of innocent people for generations.
Mozhgan Savabieasfahani, winner of the 2015 Rachel Carson prize, is a toxicologist, author and researcher at the University of Michigan. Since 2004, she has organized research expeditions in Iraq to measure the contamination and pollution that’s causing widespread sickness and death. Her team’s conclusions should horrify any thoughtful and ethical person and galvanize the entire world, with U.S. leadership, to react immediately and aggressively to save the lives of Iraqi children. Just as America is responsible for the war in Iraq, it is responsible for its consequences.
I recently interviewed Savabieasfahani via email about her work.
Read the conversation at Salon.