The Rolling Stones and the Art and Aesthetic of Rock ‘n’ Roll

I had the pleasure of attending the new exhibit on the history of The Rolling Stones, Exhibitionism, in Chicago with my friend – singer, songwriter, guitarist extraordinaire, Kev Wright.

The immersive and interactive experience is essential for any admirer of the Stones, or fan of rock. I was particularly struck by the aesthetic sophistication of the Rolling Stones. From commissioning Andy Warhol to photograph and artistically depict the band to finding inspiration for stage sets in classical philosophy, the Rolling Stones, most especially Mick Jagger, helped cultivate a rock ‘n’ roll aesthetic, at once capturing and projecting the imager and iconography of rebellion, creativity, individuality, and sexuality.

Read my essay The Rolling Stones and the aesthetic of rock ‘n’ roll at Salon.

20th Century Art & Design Auction

Interview with Dawn Porter, Documentarian, at AlterNet

In a new feature at AlterNet, I interview documentary filmmaker, Dawn Porter, about her important and moving new film, Trapped.

Trapped tells the story of abortion practitioners, and the women they serve, in Southern states where prohibitive regulations have all but stripped away the constitutional rights of women seeking reproductive health services.

Read the feature at AlterNet, and keep an eye out for the film, which is set to air on PBS soon.

New Entertainment Writing for The Daily Beast

Recently, I wrote some critical essays for the Daily Beast. The first was on the comeback tour of Garth Brooks. I had the opportunity to interview Brooks for the essay. We discussed his music, his evolving role in country music, and music culture in America. Brooks was a boyhood idol of mine – my first musical love. While I still respect and admire him, I don’t have the same love for his music. That being said, I enjoyed his concert, and was thrilled to meet him. Read the essay here.

Shortly after interviewing Brooks, I had spoke with Sean Jablonski, the creator of the USA series, Satisfaction. Satisfaction, unlike much of American entertainment, intelligently and maturely deals with the complexities of adult sexuality. Jablonski and I had an interesting conversation about his show, sexuality, American culture, happiness, and his own Buddhist inspiration. Read the essay here.

New Essay for the Daily Beast: Bobby Womack’s Sexual Democracy

After the sad death of soul legend, and rhythm and blues, funk master Bobby Womack, I immediately wrote a tribute. Not only was Womack one of my favorite singers, he was also a passionate and powerful advocate for mutual pleasure – sexual democracy – in romance.

Unlike rap and unlike rock ‘n’ roll, but very much like the tradition of soul that formed Womack in the womb of musical greatness, his sexual testimony is one of mutual pleasure. It is an expression of masculinity that gains lasting, body-aching, and spirit-raising pleasure only if the man is comfortable and confident in the assuredness of giving a woman pleasure.

Read the rest of the essay at the Daily Beast.

New Column for Indianapolis Star: State Has No Business Banning Gay Marriage

State Has No Business Banning Gay Marriage

Indianapolis Star: December 5, 2013

The Indiana State Constitution is based on the United States Constitution – perhaps the most important document in the history of humanity’s fight for freedom. Considering the legal brilliance, political empowerment, and spiritual hope that the Constitution embodies, it would set a dangerous precedent, and betray the meaning of America to amend the constitution – at the state or federal level – to limit liberty, rather than enlarge it.

The ink that the American founders used to write the Constitution doubled as the concrete that provided the foundation for Republican Democracy around the world. An essential part of its vision is the separation of church and state. While that actual phrase might not appear in the Constitution, the founders, especially Thomas Jefferson, made it clear in letters that they intended to keep bureaucrats out of the business of religion, and keep clerical bullies from imposing their dogmas on the duties of governance. The Supreme Court has upheld and validated the separation interpretation of the Establishment Clause in dozens of cases dating back hundreds of years.

It is for these reasons that any thoughtful, reasonable, and moral person must vehemently oppose the proposal to change the Indiana State Constitution to include an amendment banning gay marriage.

It is not the State’s role to make judgments on the consensual sex lives of adults. If America is to remain a friendly home for freedom, it must extend that freedom, and the equality of opportunity and dignity that goes along with it, to gay Americans – the majority of whom are law abiding, taxpaying citizens who conduct themselves with decency and responsibility.

Homosexuality is not only a form of sex. It is also a form of love. All Americans, but especially those who wear the label of “family values conservative,” should seek to honor that love in the maintenance of a society that values romantic commitment and familial care.

The entire debate surrounding gay marriage is cartoonishly absurd, given that there is no credible argument against it. One side uses legal precedent, philosophical argumentation in keeping with the American tradition of individual liberty, and simple kindness, while the other recites passages from a book written thousands of years ago.

The Bible, along with any other religious text, is to have no influence on the laws of our secular government. Any religious doctrine can influence the way people think and behave in a free country, but the Constitution clearly prohibits the exercise of religion during legislative activity or judicial decision-making.

When gay marriage opponents claim that their argument is The Bible, they are confessing that they have no argument.

American opinion is reaching a favorable consensus on gay marriage, and when legalization does inevitably occur, no church will have to marry a gay couple. The beauty of the separation of church and state is that it is mutually protective of religion and governmental autonomy and interest.

That being said, on the issue of religion, gay marriage opponents have yet to answer important questions.

The Bible prohibits adultery, divorce, eating shellfish, working on the Sabbath, wearing clothing of mixed fabrics, wearing gold, and touching a woman experiencing her period. For most of these crimes – including working on Sundays – the penalty is death.

Why are the loudest defenders of Biblical law, who so eagerly denounce gay marriage, not insisting that these injunctions also influence government legislation?

Might it be that they are not truly motivated by religion, but that they are using religion as a cover story for the exclusion and hurtful treatment of people they just don’t like?

David Masciotra is the author of All That We Learned About Living: The Art and Legacy of John Mellencamp (forthcoming, The University Press of Kentucky) and Against Traffic: Essays on Politics and Identity. For more information visit

New Essay at The Atlantic – “Mark Sanford, Romantic Hero”

Mark Sanford won a special election for Congress in South Carolina this week after many pundits and politicians believed his career was over due to his irresponsible actions as governor. He left the state for six days to win the affection of an Argentinian journalist with whom he had fallen in love and exchanged emails for over a year. He left his wife and risked his political career in making the trip, and said that he did so, because “he could die knowing that he found his soul mate.” Sanford and the journalist are currently engaged.

I am not sure if it is politically good that Sanford now has a seat in Congress. I don’t really care. Culturally, however, it is very good.

American culture needs examples of romantic bravery and, instead of punishing those who risk everything for love, we should respond with empathy and even measured respect.

I make this argument in my new essay for The Atlantic“Mark Sanford, Romantic Hero.” It is sad and unfortunate that Sanford hurt his wife and children, but those who understand and appreciate the power of love realize that it is a mysterious and frightening directive. It can inspire beauty, cruelty, and a combination of both. As the Rev. Al Green sings, “Love and happiness / It’ll make you do right / Make you do wrong.”

In the essay, I contextualize the Sanford affair by placing it smack dab in the middle of an American culture committed to denying the power of love – “Sanford’s display of romantic bravery that rivals the depiction of the mysterious directive in tragedies and epics is rare in politics. In fact, it is rare in American culture where more and more people prefer to play it safe. Hooking up, online dating, and resistance to the traditional date are simply ways of disguising a guardedness that betrays a fear of love. Real love will make people behave like Sanford, and that is frightening. As essayist Cristina Nehring points out, American culture offers the twin gods of ‘meaningless sex’ and ‘meaningless marriage’ in order to quiet such fear.”

Life is a complicated affair and those who live it on the emotional edges run the risk of creating messy and hurtful situations. To look at the general response to the Sanford affair, however – and the comment section of my article gives a good illustration – is to believe that everyone has lives that are neat, clean, and never marked by the foibles of love and lust. Human affection and intimacy are good, they have value in themselves, and they deserve honor and respect. Sometimes, they win the day, and in the process, leave a path of wreckage, but that wreckage is easier to manage than the quiet death of ignoring the dictates of the heart and the truth of the imagination.

Read the entire essay to learn how I separate Sanford from Clinton, Craig, Spitzer, and other public officials disgraced by sex scandal, and to learn how I would cast the romantic comedy inspired by Sanford’s story.

New Essay for The Atlantic: Why Still So Few Use Condoms

Liberals are obsessed with condoms. They are convinced that teenagers, adult couples, and gay men don’t use condoms because they don’t have sufficient “knowledge and awareness,” and they believe that the Catholic Church is primarily responsible for the spread of HIV/AIDS in Africa, because of its stupid policy of preaching against condoms.

In my new essay for The Atlantic“Why Still So Few Use Condoms” – I take on these myths, and I acknowledge the politically incorrect truth, logic, and reality that most people don’t like or use condoms because they significantly rob sexuality of pleasure, intimacy, and spontaneity.

I also write about how the unlikely and unholy alliance of Planned Parenthood and the religious right have convinced generations of Americans that something they invented call “precum” can impregnate women, despite a mountain of evidence proving that the opposite is true.

OLYMPUS DIGITAL CAMERAIt was possible for me to write about all of this, because of the necessary, noble, and heroic work of Bill Gates, who after finding that in Africa most people don’t use condoms because of the pleasure factor, he has offered a $100,000 grant to anyone who can present credibly demonstrate that they are developing a condom that will “enhance pleasure.”

I begin my essay with a few quotes from the mighty Norman Mailer who put it best when telling Madonna, of all people, that “the only thing you can depend on with condoms is that they will take 20 to 50 percent off your fuck.”

New Essay for The Atlantic – “The Real Problem With Hooking Up: Bad Sex”

The dominance of the market and utilitarianism over American culture has created a sexual lifestyle that rejects risk, intimacy, and depth. It has removed the fun and adventure from sex, and turned even casual sex with a new partner into a boring, mechanical, and idiotic experience. I’ve suspected that “hookup culture” is destructive to good sex after observing how little college students flirt, and after listening to some of the guarded, but honest comments students make about their sex lives.

Donna Freitas confirms my suspicions in her new book, The End of Sex. She conducted thousands of interviews to research her subject, and she determined, based on students’ own words, that hookup culture leads to bad and boring sex that leaves its participants unfulfilled at all levels.

In a new essay for The Atlantic, I review her book and give my own insight into hookup culture. The book review and essays allows me to put forward an argument that I’ve been making for a long time –  “The most lamentable aspect of hookup culture is not, as some social conservatives would argue, that it will lead to the moral decay of a modern Sodom and Gomorrah, but that it is so boring.”

hookup_culture_mIn a culture caught between puritanism and pornography, Freitas offers a third way to sexual independence and autonomy. It is a way for those of us who believe that conversation is often the best foreplay, moments of tenderness are more memorable than animalistic orgasms had without thought or emotion, and as I put it in the article, “The electrifying mystery of romance is powered by the surge of a smile from a stranger across the room, the heat generated by hands on an unfamiliar set of hips on the dance floor, and the sweet synchronicity of flirtation.”

September PopMatters Column: Sex Education and Smokey Robinson

The newest installment in my monthly column for PopMatters is up. In my new essay, I use the concert experience of a true American treasure – Smokey Robinson – to write about music history, the enduring power of Motown, and the joyful and playful sexuality that Smokey expresses. In the essay – “The Way You Do The Things You Do: Sex Education and Smokey Robinson” – I make the argument that “In his golden years, Robinson is more convincingly and excitingly sexual than nearly every young performer who will join the parade of sensationalistic imagery on the MTV VMA awards,” because, “He always understood and continues to understand that sexuality is best enjoyed when it is playful, romantic, passionate, and generous.”

One of the most sad and tragic elements of contemporary American culture is the removal of playfulness, intimacy, and most of all, fun from sexuality. Two warring factions of extreme viewpoints – I’ll call them the Bible Belt and Breast Implants crowds – have reduced sexuality to an ideological prop and a method of conquest. Whether the vulgarity of hip hop, pornography, and much discussed “hook up” culture seeks to conquer a partner for the purposes of ego orgasm or the puritanism of virginity pledges, abstinence only sex education, and censorship aims to conquer sexual impulses for the purposes of political orgasm, sex no longer looks free and fun.

Smokey Robinson is not only one of America’s greatest living songwriters and singers, but he is also an avatar of an alternative form of sexuality – one that embodies the ethic of reciprocity – one that seeks to share pleasure – one that is fun, but also one that is spiritual.

Many of my columns at PopMatters have elevated the joy of the black musical experience. I’ve written about Mary J. Blige, Shemekia Copeland, Ruthie Foster, Diana Ross, Nikki Jean, and now Smokey Robinson, in an attempt to demonstrate that the joyful swirl of sensuality and spirituality surrounds the best of black music and imbues it with a form of magic – magic that makes the listener feel more human.

Over the past couple of years, I’ve come to believe that Smokey Robinson is one of the greatest exemplars of this tradition, and that he is, at this point, the most important living popular American musical performer. His influence is immeasurable and inarguable. He, along with Diana Ross and Stevie Wonder, represent the last living legends of Motown. The soul-pop music of their era, which also hit the airwaves from Chicago (Curtis Mayfield, Chaka Kahn), Philadelphia (Teddy Pendergrass, The Ojays), and Memphis (Al Green, The Staple Singers), possessed a spiritual joy that sustains those performers and their audience. It combines the influence of the church and the club to create a live experience that is beyond anything else on the modern stage. The professionalism and excellence of those performers shoots through the loins, quickens the heart, and shakes the soul.

“The Way You Do The Things You Do: Sex Education and Smokey Robinson” touches on all these issues and ideas, but it is most about the “sex education” of Smokey Robinson. “Doesn’t it feel good to feel good?” he asked the audience towards the end of his show. It is a question of both simplicity and profundity, and it is one that many people – obsessive porn users, careerists who treat sex as a blocked activity on an itemized calendar, and young people terrified of intimacy – need to look in the mirror and ask.

Fun, romantic, and intimate sexuality needs rescuing in American culture, and Smokey Robinson offers a lifeline.